Jodi Brooks

Senior Lecturer, Film Studies
Senior Lecturer

I began teaching Film Studies at UNSW in 1997 when I joined what was then the School of Theatre and Film. Prior to taking up this position I had been a Lecturer in Cultural Studies at the University of Melbourne (1994-1997) and a Lecturer in Screen Studies at the University of Technology (1991-1994). In 1996 I was a Visiting Assistant Professor at UC Davis, where I taught courses in both the gender studies and critical theory programs. I have always been interested in finding new ways of teaching and understanding our evolving screen culture and its diverse forms and histories. When I took up a position at UNSW in 1997 it was because it had one of the largest and longest running Film Studies programs in the country and so offered an ideal "home" for someone passionate about Film Studies. Over the last two decades Film Studies at UNSW has expanded and evolved in exciting ways. Alongside my research and teaching I have also been involved in curating film programs, worked in community media organisations, served on advisory committess and panels for various organisations including the National Library of Australia's Film and Video Collection and the Sydney International Film Festival, and was one of the co-founders of the Screen Studies Association of Australia and Aotearoa/New Zealand.

Subject areas

Publications

Book Chapters
add
Brooks J, 2017, 'Gender matters: Gender policy and the rewriting of the mother-daughter narrative in contemporary Australian women’s filmmaking', in Australian Screen in the 2000s, pp. 143 - 164, http://dx.doi.org/10.1007/978-3-319-48299-6_7
2017
Brooks J, 2017, 'Gender Matters: Gender Policy and the Rewriting of the Mother–Daughter Narrative in Contemporary Australian Women’s Filmmaking', in , Springer International Publishing, pp. 143 - 164, http://dx.doi.org/10.1007/978-3-319-48299-6_7
2017
Brooks J, 2015, 'Laurel Canyon: Lacuscular Cinema', in Perkins C; Verevis C (ed.), US Independent Filmmaking After 1989: Possible Films,eds. Claire Perkins and Constantine Verevis, Edinburgh University Press, Edinburgh, pp. 133 - 148
2015
Brooks J, 2013, '"Invisibility's Beat: Ralph Ellison, Rhythm, and Cinema's Blind Field', in Hoogstad, JH (ed.), Off Beat: Pluralizing Rhythm, edn. Intersecting: Place, Sex, and Race, Rodopi, Amsterdam - New York, NY, pp. 149 - 168, http://dx.doi.org/10.1163/9789401208871_011
2013
Brooks J, 2011, 'The State of the Discipline: Film Studies as Bad Object', in Vassilieva J; Verevis C (ed.), After Taste: Cultural Value and the Moving Image, edn. Original, Routledge, http://www.routledge.com/books/details/9780415679268/
2011
Brooks J, 2004, ''Worrying the Note': inaudible beats in the gangsta film', in Drobnick J (ed.), Aural Cultures, edn. Original, YYZ Books, Toronto, pp. 157 - 168
2004
Brooks J, 1999, 'Crisis and the everyday: some thoughts on gesture and crisis in Cassavetes and Benjamin', in Falling for you: essays on cinema and performance, edn. Original, Power Publications, Sydney, Australia, pp. 73 - 104
1999
Brooks J, 1999, 'Performing aging/performance crisis for Norma Desmond, Baby Jane, Margo Channing, Sister George - and Myrtle', in Figuring age: women, bodies, generations, edn. Original, Indiana University Press, Bloomington, Indiana USA, pp. 232 - 247
1999
Brooks J, 1995, 'Between Contemplation and Distraction: Cinema, Obsession & Involuntary Memory', in Jayamanne L (ed.), Kiss Me Deadly: Feminism and Cinema for the Moment, edn. Original, Power Publications, Sydney, pp. 77 - 90
1995
Journal articles
add
Brooks J, 2019, 'Olive Kitteridge (Lisa Cholodenko, 2014), Quality Television and Difficult Women: Female Discontent in the Age of Binge-Viewing', Feminist Media Studies, http://dx.doi.org/10.1080/14680777.2019.1667061
2019
Brooks J; Davis T; Perkins C, 2018, '“Women, film and independence in the 21st century: A public forum.”', Fusion Journal, http://www.fusion-journal.com/women-film-and-independence-in-the-21st-century-a-public-forum/
2018
Brooks J, 2014, 'The Kids Are All Right, the Pursuits of Happiness, and the Spaces Between', Camera Obscura: a journal of feminism and film theory, vol. 29, pp. 111 - 135, http://dx.doi.org/10.1215/02705346-2408534
2014
Brooks J, 2012, 'Missed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again)', Screening the Past, vol. 34, http://www.screeningthepast.com/2012/08/missed-beats-unseen-cinema-and-a-cinema-of-the-unseen-or-stella-dallas-again/
2012
Brooks J; Davis T, 2012, 'Untimely Cinema: Cinema Out of Time', Screening the Past, vol. 34, http://www.screeningthepast.com/2012/08/untimely-cinema-cinema-out-of-time/
2012
Brooks J, 2011, 'Cinema, Disappearance, and Scale in David Lynch's Inland Empire (2006)', Screening the Past, http://www.screeningthepast.com/2011/07/cinema-disappearance-and-scale-in-david-lynch%E2%80%99s-inland-empire-2/
2011
Brooks J, 2010, 'Teaching bad objects', Continuum : Journal of Media and Cultural Studies, vol. 24, pp. 787 - 789, http://dx.doi.org/10.1080/10304312.2010.505941
2010
Brooks J, 2010, 'The state of the discipline: Film studies as bad object', Continuum, vol. 24, pp. 791 - 797, http://dx.doi.org/10.1080/10304312.2010.505942
2010
Brooks J, 2010, 'teaching bad objects: introduction', Continuum - Journal of Media and Cultural Studies, vol. 24, pp. 787 - 789, http://dx.doi.org/10.1080/10304312.2010.505941
2010
Brooks J, 2007, 'The Lure of the Breach: Invisibility and the Dissolution of Cinematic Vision', Screening the Past, vol. 22, pp. Online
2007
Brooks J, 2006, 'The last `Darky`: Bert williams, black-on-black minstrelsy, and the African diaspora.', Screening the Past, vol. 20, pp. online
2006
Brooks J, 2003, 'Ghosting the machine: The sounds of tap and the sounds of film (African-American tap dance styles and Hollywood cinema)', SCREEN, vol. 44, pp. 355 - 403, http://dx.doi.org/10.1093/screen/44.4.355
2003
Brooks J, 2003, 'Ghosting the machine: the sounds of tap and the sounds of film', Screen, vol. 44, pp. 355 - 378
2003
Brooks J, 2003, 'Ghosting the machine: The sounds of tap and the sounds of film', Screen, vol. 44, pp. 355 - 378
2003
Brooks J, 2003, 'Jodi Brooks reviews Arthur Knight, Disintergrating the musical: black performance and American musical film', Screening the Past, vol. Issue
2003
Brooks J, 2001, 'Worrying the note: mapping time in the gangsta film', Screen (Oxford), vol. 42, pp. 363 - 381, http://dx.doi.org/10.1093/screen/42.4.363
2001
Brooks J, 2001, 'The sound of knocking: Jacques Becker`s Le trou', Screening the Past, vol. 12, pp. 1 - 13
2001
Brooks J, 2001, 'Performing aging / performance crisis (for Norma Desmond, Baby Jane, Margo Channing, Sister George and Myrtle)', Senses of Cinema, vol. 16, pp. On the internet
2001
Brooks J, 2000, 'Jonathan Crary, suspensions of perception: spectacle, and modern culture', Screening the Past, vol. 11
2000
Brooks J, 1998, 'The force of the image', UTS Review: Cultural Studies and New Writing, pp. 180 - 187
1998
Brooks J, 1997, 'Rituals of the Filmic Body', Writings on Dance, vol. 17, pp. 15 - 29
1997
Brooks J; Hurley M; Raymond L, 1995, 'Queer Media', Media International Australia, vol. 78, pp. 4 - 4, http://dx.doi.org/10.1177/1329878x9507800102
1995
Brooks J, 1992, 'Fascination and the grotesque:Whatever happened to baby Jane?', Continuum, vol. 5, pp. 225 - 234, http://dx.doi.org/10.1080/10304319209388235
1992
Brooks J, 1989, '"Consumed by Cinematic Monstrosity"', Art & Text, vol. 34, pp. 79 - 94
1989
Other
add
Brooks J; Ford J; Robson M; Williams K (eds.), 2018, Editorial: Intersections in film and media studies, Charles Sturt University
2018
Brooks J; Ford J; Robson M; Williams K (eds.), 2018, "Intersections in Film and Media Studies." Special issue of fusion, edited by J. Brooks, J. Ford, M. Robson and K. Williams, Charles Sturt University, http://www.fusion-journal.com/014-intersections-in-film-and-media-studies/
2018
Brooks J; Davis T (ed.), 2012, "Untimely Cinema: Cinema out of time." Special issue of Screening the Past, http://www.screeningthepast.com/issue-34/
2012