Dr Theron Schmidt

Lecturer
School of the Arts & Media

Contact

+61 (2) 9385 3218
+61 (2) 9385 6812
Room 121, Level 1, Robert Webster
Kensington Campus
Fields: Drama, Theatre and Performance Studies

Theron Schmidt works internationally as a writer, teacher, and performer. He has published widely on contemporary theatre and performance, participatory art practices, and politically engaged performance.  He is a founding co-convener of the international Performance Philosophy network and assistant editor of Contemporary Theatre Review.  He also makes performance as a solo and collaborative artist.

Research

My research and publication areas include contemporary theatre and performance, particularly the political and interventionist potential of theatre and performance practices, as well as using ideas from theatre and performance to read and shift our understanding of broader political questions.  I’m interested in the ways that certain problems of speech and gesture in the political realm can be considered as essentially theatrical problems – problems for theatre, but also ideas that theatricality makes problems of – such as problems of representation or of authenticity. 

Recent research has focused on the practice of artists such as Back to Back Theatre, Cassils, Tim Crouch, Richard Maxwell, Rabih Mroué, Nature Theatre of Oklahoma, Rimini Protokoll, and Christoph Schlingensief. I have published articles in Contemporary Theatre Review, Law Text Culture, and Performance Research. I am an Assistant Editor for Contemporary Theatre Review and am on the editorial boards for Performance Research and the International Journal of Screendance.  I am also a co-convener of the international Performance Philosophy network and founding co-editor of the Performance Philosophy journal.

In addition to my formal academic research, I have written widely about live art and performance for a variety of publications, including magazines and artist books. I’m also interested in innovative critical writing projects that foster interaction between artists, scholars, and publics. These have included magazine and online publications in Dance Theatre Journal, RealTime, Total Theatre, and Writing from Live Art; contributing essays to festivals and artist catalogues;  facilitating critical writing projects such as SPILL Stings in London, The Resonance Project and SCRIBE in Melbourne, and a series of symposia at the Chelsea Theatre (London); and running Open Space events in a variety of contexts.    

Publications

    Books

    Book Chapters

    • Schmidt T, 2017, 'Is This What Democracy Looks Like? The Politics of Representation and the Representation of Politics', in Fisher T; Katsouraki E (ed.), Performing Antagonism Theatre, Performance & Radical Democracy, Palgrave Macmillan, pp. 101 - 130, http://dx.doi.org/10.1057/978-1-349-95100-0_6
    • Schmidt T, 2016, 'Living in augmented times', in RIMA: reaching for a word that does not exist, SQUIDSILO, Sydney, pp. 7 - 8, http://squidsilo.net/wp-content/uploads/2016/07/RIMA-reaching-for-a-word-that-does-not-exist_2016Squidsilo.pdf
    • Schmidt T, 2016, '"When I think of him, I think of angels": Introducing JARMAN (all this maddening beauty)', in Caridad Svich: JARMAN (all this maddening beauty) and Other Plays, Intellect, Bristol and Chicago, pp. 15 - 19
    • Paterson M; Schmidt T, 2013, 'A Dialogue on Infection', in Keidan L; Wright A (ed.), The Live Art Almanac Volume 3, Oberon/Live Art Development Agency, pp. 273 - 284
    • Schmidt T, 2013, 'Acting, Disabled: Back to Back Theatre and the Politics of Appearance', in Carroll J; Giles S; Jürs-Munby K (ed.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance, Bloomsbury, pp. 189 - 207
    • Schmidt T, 2011, 'Culture Crash', in Brine D; Gantner V; Keidan L; Mitchell CJ; Mitchelson A; Pecelli MVP (ed.), The Live Art Almanac Vol. 2, Live Art Development Agency, pp. 165 - 168
    • Schmidt T, 2011, 'After this, birdsong', in Goat Island: A Last, A Quartet -- DVD and Reading Companion, Goat Island and Lucy Cash, pp. 16 - 25
    • Schmidt T, 2008, 'Helen Paris: Vena Amoris', in Brine D (ed.), The Live Art Almanac, Live Art Development Agency, pp. 123 - 124

    Journal articles

    • Schmidt T; Cull Ó Maoilearca L; Gotman K; Katsouraki E, 2017, 'Editorial - Performance Philosophy Vol 2, No 2', Performance Philosophy, vol. 2, pp. 162 - 171, http://dx.doi.org/10.21476/PP.2017.22132
    • Schmidt T, 2016, 'The Illuminated Theatre: Studies on the Suffering of Images. By Joe Kelleher. London: Routledge, 2015; 208 pp.; illustrations. $140.00 cloth, $47.95 paper', TDR/The Drama Review, vol. 60, pp. 158 - 159, http://dx.doi.org/10.1162/DRAM_r_00603
    • Cull Ó Maoilearca L; Schmidt T; Watt D, 2016, 'Editorial, Performance Philosophy, Vol 2, No 1', Performance Philosophy, vol. 2, pp. 1 - 4, http://dx.doi.org/10.21476/PP.2016.21121
    • Kartsaki E; Schmidt T, 2015, 'Editorial: On Repetition', Performance Research, vol. 20, pp. 1 - 3, http://dx.doi.org/10.1080/13528165.2015.1095886
    • Schmidt T, 2015, 'Some people will do anything to keep themselves from being moved', Performance Research, vol. 20, pp. 4 - 9, http://dx.doi.org/10.1080/13528165.2015.1095891
    • Schmidt T, 2015, 'The Philosopher as Stage-Hand', Performance Philosophy, vol. 1, pp. 106 - 106, http://dx.doi.org/10.21476/PP.2015.1111
    • Schmidt T, 2015, '"We're People Who Do Shows": Back to Back Theatre: Performance, Politics, Visibility, edited by Helena Grehan and Peter Eckersall', TDR: The Drama Review, vol. 59, pp. 190 - 192, http://dx.doi.org/10.1162/DRAM_r_00442
    • Schmidt T, 2014, 'Christoph Schlingensief: Art without Borders, edited by Tara Forrest and Anna Teresa Scheer', Contemporary Theatre Review, vol. 24, pp. 125 - 126, http://dx.doi.org/10.1080/10486801.2013.864064
    • Schmidt T; Pinder J; Owen L; Zimmerman AL; Roberts D; Hope S; Amsler S, 2014, 'Beyond Glorious: The Radical in Engaged Practices', Contemporary Theatre Review, vol. 24, pp. 284 - 288, http://dx.doi.org/10.1080/10486801.2014.895537
    • Schmidt T, 2013, 'Troublesome Professionals: On the speculative reality of theatrical labour', Performance Research, vol. 18, pp. 15 - 26, http://dx.doi.org/10.1080/13528165.2013.807161
    • Schmidt T, 2013, 'Outsider Theatre: A journey through Back to Back’s Hell House', Performance Research, vol. 18, pp. 139 - 148, http://dx.doi.org/10.1080/13528165.2013.789263
    • Schmidt T, 2012, 'The Theatre of Richard Maxwell and the New York City Players', Contemporary Theatre Review, vol. 22, pp. 422 - 424, http://dx.doi.org/10.1080/10486801.2012.697724
    • Schmidt T, 2012, 'Site-Specific Performance (review)', Modern Drama, vol. 55, pp. 278 - 280, http://dx.doi.org/10.1353/mdr.2012.0027
    • Schmidt T, 2011, 'This is happening in real time: A response to beside the a side by Graeme Miller and John Smith', Dance Theatre Journal, vol. 24, pp. 5 - 9
    • Cash L; Schmidt T, 2011, '"Everything we do is done by invitation. That invitation comes from oneself or from another person." (John Cage)', Dance Theatre Journal, vol. 24, pp. 2 - 3
    • Schmidt T, 2011, 'Christoph Schlingensief and the Bad Spectacle', Performance Research, vol. 16, pp. 27 - 33, http://dx.doi.org/10.1080/13528165.2011.606047
    • Schmidt T, 2010, 'Unsettling Representation: Monuments, Theatre, and Relational Space', Contemporary Theatre Review, vol. 20, pp. 283 - 295, http://dx.doi.org/10.1080/10486801.2010.488834
    • Schmidt T, 2010, '"We Say Sorry": Apology, the Law, and Theatricality', Law Text Culture, vol. 14, pp. 55 - 78, http://ro.uow.edu.au/ltc/vol14/iss1/5
    • Paterson M; Schmidt T, 2009, 'Critical border-crossing: Open dialogues at Performance Saga / Bone 11', Dance Theatre Journal, vol. 23, pp. 5 - 9
    • Schmidt T, 2009, 'Anti-messianic theatre: Confronting expectation at London's spill festival', Dance Theatre Journal, vol. 23, pp. 22 - 27
    • Schmidt T, 2008, 'Richard Maxwell and the Paradox of Theatre', Platform, vol. 3, pp. 8 - 21, http://www.rhul.ac.uk/dramaandtheatre/documents/pdf/platform/31/maxwell.pdf
    • Schmidt T, 2008, 'Surviving Words: Writing about Doran George's The Mourner's Dance', Dance Theatre Journal, vol. 23, pp. 35 - 41

    Other